Initial route planning for a North Coast 500 (NC500) roadtrip around the top of Scotland and also Skye.
Photographs from the Cheltenham Camera Club
This is a small collection of photographs and a 360 degree digital tour which will grow over time as I revisit the Tewkesbury Abbey. If you wish to read more about the Tewkesbury Abbey I would recommend visiting the official website
Tradition, originating in the desire to account for the name of the town, would assign the foundation of a cell or chapel to Theoc, or in Latin form Theocus, in or about 655. In support of this theory Camden and others assert that it was called in Anglo-Saxon times Theocsburg or Theotisbyrg. Others would derive the name from the Greek “Theotokos,” as the Church is dedicated to St. Mary, and others again refer us back to a very early name, Etocisceu—Latinised as Etocessa. In Domesday Book the town is called Teodechesberie, and throughout the Chronicles of the Abbey is called Theokusburia.
The Chronicles of the Abbey tell us that the first monastery at Tewkesbury was built by two Saxon nobles, Oddo and Doddo, in or about the year 715, a time when Mercia was flourishing under Ethelred, and later, under Kenred and Ethelbald. It was dedicated to the Virgin Mary, and endowed with the manor of Stanway and other lands for the support of the Benedictine monks who, under a Prior, were there installed. Oddo and Doddo died soon afterwards, and were buried in the abbey church of Pershore.
The 2018 Race of Remembrance event (#RoR2018) takes place over the weekend of the 9-11th November on the #Tracmon #Anglesey circuit and is hosted by Mission Motorsport.
This page has images from the event which are freely available to anyone who wishes to keep a memory of the event or make a print. The on-line images are sized and optimised for use on social media (right click the image and select save image as..), if they are used I would ask that a credit be given.
There are many images from the Race of Remembrance weekend so grab a coffee, or three, and get comfy 🙂 #RoR2018.
If you would like a print file then please e-mail me at firstname.lastname@example.org quoting the number of the image(s) and I will send you the image files that you can print locally. No catch, no charge, just my way of supporting the event. If you wish to give a small donation to support Help for Heroes then please use Mission Motorsport.
Friday 10th – practise sessions (24 images)
Friday 10th – qualifying session (175 images)
Saturday 10th – morning practise sessions (80 images)
Saturday 10th – Supercar Saturday (150 images)
Saturday 10th – The Endurance race
part 1 in very damp conditions (159 images)
Sunday 11th – The Endurance race
part 2 (98 images)
The Abbot Malvern alias Parker monument
The Sarah Morley memorial at Gloucester cathedral (reduced to 10%)
a print screen showing the full detail of the 3D model
The Cloister fan vaulting at Gloucester cathedral (reduced to 10%)
Part of the Gloucester cathedral cloister. 150 images shot on a Canon 5D4 and 50mm lens
First ‘proper’ attempt at a small 3D model (approx 200mm in diameter) – 23 DSLR images were used to capture this skull carved into a gravestone. The images were processed with 3DF Zephyr lite software produced by the company 3DFlow.
First attempt using a RTI dome populated with 6 x 3 watt daylight LEDs controlled by a custom control box
without processing the image above is a typical record of the subject
My first attempt at RTI, that’s Reflectance Transformation Imaging to you and me 🙂 . I drifted into this type of photography after shooting graffiti at Gloucester cathedral and quickly realised that normal photographic techniques can struggle to bring out all the detail.
Using directional lighting placed at a low angle to throw a strong shadow into the dips and bumps of graffiti craved into stone gives some impression of what is there.
The RTI technique uses a single light source to take multiple photographs, typically 50 or more, with the light source being moved all around the subject during the capture session.
For my 1st attempt at RTI I used a carving in Welsh slate of a Draig, the Welsh Dragon. The sculpture was commissioned for my home several years ago but seemed ideal as a test subject.
1st Baby steps – for this test I was using:
- A Canon 5D4 and 24-70mm lens set at 47mm focal length with the target approximately 500mm from the camera and the diagonal coverage of the target was 400mm.
- A Sirui tripod with the camera suspended off an inverted centre column.
- For lighting I used a Godox AD200 flash head and a laser range finder mounted on a common bracket which I can mount onto a second tripod.
- A Phottix wireless camera trigger.
- The X-rite ColorChecker Passport Photo calibration card.
- A 10mm Silicon Nitride ball bearing and a 25mm Obsidian ball.
Some initial thoughts on the image capture process:
- Never underestimate the shadow being thrown by the light sphere when illuminated at 15 degrees. Check it with a test image to ensure the shadow doesn’t encroach on the subject.
- Don’t frame the subject too tightly, leave room for the light sphere and check the shadow again. For info, the length of the shadow is 4 times the height of the light sphere at 15 degrees, it is long!
- The 10mm ball bearing only covered 160 pixels on the image, the recommended diameter should be around 250 pixels. The sequence worked but I suspect it was marginal. This is the blended light sphere image the RTIbuilder software produced and shows the highlights created by each flash position. It’s nowhere near perfect but adequate for this first test.
4. I used the X-rite ColourChecker Passport Photo calibration chart to ensure my colour and exposure are as good as I can make them. The brightest image will always be when the flashgun is nearest to the surface normal so check the exposure at 65 degrees and avoid blowing out the highlights.
The off white square next to the pure white square should be used to set the white balance and to set the optimum exposure in Lightroom. The RGB value for this square should 200,200,200, in Lightroom this is approximately 90%, 90%, 90%
5. The black obsidian spheres are relatively cheap but the surface is fairly soft and easily marked, I would recommend buying the more expensive Silicon Nitride ball bearings which are very hard and the surface finish is excellent.
6. The distance from the flashgun to the subject should be 3-4 times the diagonal of the image. I used a laser rangefinder mounted to the side of the flashgun to set the distance and the angle of the flashgun.
7. It’s important to ensure that the camera does not record any of the subject due to the ambient light, so use a low iso (100) and small aperture (f11) and set the shutter speed to your highest sync speed, I used 1/160 second. It is not recommended to use a smaller aperture because of diffraction, this optical effect causes the image to be softer even though there is an increase in depth of field.
2nd Baby steps – for this test I was using:
a dull 2 pence coin captured with a Canon 5D4 and Canon 100mm macro lens
For further information, software and guidance on the capture and image processing the Cultural Heritage Imaging website is well worth a visit.
The Work of Heart garden art installation at Gloucester cathedral
For the full story please visit the official website